Going Outside

Unfiltered Visions, 20th Century Self-Taught American Art
NOMA, New Orleans

Henry Darger       (detail) Hurry It'll Explode Any Minute Now

I have walked through many museum exhibitions of so-called outsider art without stopping. My resistance is usually visual: quilts, raw wood sculpture, and whirligigs, I just don't see much that draws me over. My response to art usually begins with physical attraction followed by a more intellectual engagement with a work's conceptual aspects. I rarely experience instant chemistry. in exhibitions of self-taught art. Without getting too far into into the problematic

Ike Morgan  Portrait of George Washington  (Sorry about the reflection!)

labels–outsider, self-taught, and folk art–the set up is that one is not expected to consider the work of self-taught artists within the canon of Western Art History or within the context of contemporary art.

Considering my tastes and habits, when I looked in on Unfiltered Visions I didn't expect I'd stay as long as I did. I hadn't known Henry Darger was there and his work is always worth seeing. Hurry It'll Explode Any Minute Now...is no exception and is the show's obvious superstar. But there was also this fantastic ink and pastel Portrait of George Washington by Ike Morgan. This drawing was a stunning mix of familiar and strange. The subject is of course irresistibly loaded. 

Holland Cotter once wrote, "...the question remains of where, in the concept of outsider art, the stress should fall: on outsider or on art?" Both artists have biographies that situate them outside of the art world and are stories worth looking into. But for me the work itself more than holds its own in any room. 

Face Values, Last Call!

Cristina Molina Ice of the World, The Front

Erica Lambertson Pancake Face, Good Children

Latoya M. Hobbs Angelica, Staple Goods

This is the last weekend to see the shows on and off Saint Claude. 

Christina Molina's Ice of the World, a roughly four minute video, is alone worth going out for. It is the heart of her show titled The Matriarchs at The Front and informs the portrait and still life photographs that make up the rest of the show. I went home and saw the video again on the artist's Vimeo page; I liked it that much.

If you go to The Front, you should cross the street and see Erica Lambertson's funny little little oil on panel painting titled Pancake Face in a fundraiser/group show at Good Children. 

I plan to stop into Staple Goods to see the work of Latoya M. Hobbs for the first time. I saw these prints on the Staple Goods website just now. This will be one of those I've-only-seen-you-online encounters and I am hoping the work and I hit it off in person.

These shows will close Sunday, June 5. 

Cristina Molina      Ice of the World, Installation View The Matriarchs      The Front

Erica Lambertson     Pancake Face       Good Children

LaToya M. Hobbs      Angelica       Staple Goods